Sunday, March 17, 2019
Identity in Tayeb Salihââ¬â¢s Season of Migration to the North :: Season Migration North
Identity in Tayeb Salihs Season of Migration to the northwesterlySeason of Migration to the North by Tayeb Salih tells the story of a man scrutinizing for an identity he was unaware he had lost. Through his growing sagacity of Mustafa Saeeds life, the telephone exchange character eventually reconciles his own identity conflicts. Through prohibited Salihs impudent the principal(prenominal) characters identity is unclear. While the reader learns some(prenominal) about his footing educational, familial, and professional, his name is never mentioned. A surname is used in deferred payment to his family, only if is never applied to him. In once instance he is referred to by another character as effendi (85). This phrase, however, is an Arabic title some equivalent to sir rather than a name. The central characters namelessness serves to focus precaution on another character with whom he develops an uneasy friendship Mustafa Saeed. Mustafa entrusts the main character with his aff airs after his death, including the key to a private chamber. When the central character enters the mysterious room and uncovers Mustafas past, the identity conflict becomes apparent out of the darkness there emerged a frowning search with pursed lips that I knew but could not place. I moved towards it with hate in my heart. It was my adversary Mustafa Saeed. The face grew and I found myself standing face to face with myself. a celluloid of me frowning at my face from a mirror. (135)Several parallels are draw between the central character and Mustafa Saeed. Both speak English and had canvass in London. Even though the central character had grown up in the village, his education and time abroad had made him as much an outsider as Saeed. Upon seeing his own reflection in the darkness, he believes it to be Mustafa, who he had grown to despise. As he moves closer to the tendency of his hatred, he discovers that he is standing face to face with himself. Mustafa represents to him all that he despises in himself.
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